Yves
Rasch (min)
Rasch (min)
Yves Rasch's sculptures touch us in a special way because they speak the language of the body and therefore set our sensibilities in vibration: they find their resonance in our bodily sensation - as form and as material.
We are tempted to feel the sculptures, to touch them - to follow the organic vibrations and oscillations with our hands - or at least alternatively with our eyes, as long as the sculptures are in the gallery!
The gentle curves, the bulges and hollows animate us to trace them with our eyes, to caress the smoothly polished wood like a bare arm or a head.
This animation of our bodily senses forms the first and direct access to the sculptures, before all interpretation and interpretation.
We are tempted to feel the sculptures, to touch them - to follow the organic vibrations and oscillations with our hands - or at least alternatively with our eyes, as long as the sculptures are in the gallery!
The gentle curves, the bulges and hollows animate us to trace them with our eyes, to caress the smoothly polished wood like a bare arm or a head.
This animation of our bodily senses forms the first and direct access to the sculptures, before all interpretation and interpretation.
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